In Episode 10 of The Choral Director’s Toolbox, host Dr. William Baker explores The Sacred Harp, tracing its origins from Colonial-era singing schools to its lasting impact on American choral tradition. This week’s listener question examines the effectiveness of Robert Shaw’s count-singing method and whether it is appropriate in all choral settings. Today’s inspiration features God Is Seen in Alice Parker’s definitive arrangement, performed by The William Baker Festival Singers. Join us for a fascinating discussion on choral history, technique, and artistry!
Submit a listener question to Toolbox@FestivalSingers.org.