Meet the People of the ICC
Ed Frazier Davis, founder and director of the Institute for Choral Creativity, is an English-American composer, baritone, and conductor living and working in Kansas City, Missouri.
Described as "at once deeply emotional and sublime" (KC Arts Beat) and lauded for its "compelling, […] colourful orchestration" (Musical Toronto), Ed's music is polystylistic and draws from many eclectic influences, from Renaissance madrigals and Anglican church music to postminimalism and video game music. He has composed for a wide variety of media, but as an experienced singer he has a particularly strong affinity for writing for choirs. His compositions have been commissioned and performed throughout the world by many renowned performers and organizations, including Access Contemporary Music, the ACDA National Convention, the Aspen Music Festival, The Crossing, the Melbourne Symphony Orchestra and Chorus, PLEXUS, and the Toronto Children's Chorus. He has been named a winner or finalist in numerous contests, including the American Prize in Choral Composition, Chanticleer's Student Composer Competition, the Missouri Composer's Project, and the Young New Yorkers' Chorus's Composition Competition. Ultimately, he seeks to write music that breaks established artistic binaries—e.g. traditional vs. modern, accessible vs. unfamiliar—to create art that is fulfilling to as wide an audience as possible.
Ed has studied composition at Knox College, the Chicago College of Performing Arts at Roosevelt University, and the University of Missouri-Kansas City, primarily with Marta Ptaszyńska, Kyong Mee Choi, Stacy Garrop, Chen Yi, James Mobberley, and Zhou Long. He has studied voice with Sarah Moran, Stacey Tappan, Jim Collins, Gianna Rolandi, and Vinson Cole.
Dr. William Baker, executive consultant for the Institute for Choral Creativity, has earned a reputation as an entrepreneurial conductor and creator of choral organizations.
In 1990 he established the William Baker Choral Foundation, which has created over a dozen ensembles based in three states, involving hundreds of singers during the course of any year. His choirs have performed for numerous conventions of the American Choral Directors Association, the National Association for Music Education, and the American Guild of Organists, in addition to the 1982 World’s Fair and music festivals in the United States and Great Britain, most notably appearances before capacity audiences at Charleston’s Piccolo Spoleto Festival since 1989. He has led the Festival Singers in the production of 25 nationally released recordings and in television and radio appearances across the nation, including The First Art, The Sounds of Majesty and National Public Radio’s Performance Today.
An Atlanta native, Dr. Baker studied voice and choral conducting at Mercer University and the University of Georgia before culminating his formal education at the American Conservatory of Music in Chicago where he earned the Doctor of Musical Arts in Choral Conducting. His accomplishments have been recognized in his home states through proclamations by two Georgia Governors, Joe Frank Harris and Sonny Purdue, by Kansas Governor Jeff Colyer, by United States Congressman Phil Gingrey, by proclamations from the cities of Kansas City, MO and Roeland Park, KS, by the Johnson County (KS) Commission, and by a 2015 proclamation by the State of Georgia House of Representatives. In 2012 he was honored for his contributions to the cultural life of his hometown by the Pro-Mozart Society of Atlanta. In 2015 he was named Conductor Emeritus of The DeKalb Choral Guild.
Dr. Jamea J. Sale, education liaison for the Institute for Choral Creativity and director of the Institute for Healthy Singing, is a native of Colby, Kansas. She graduated from Kansas State University in Manhattan in 1987 with a Bachelor of Music in Voice and Instrumental Music Education, and in 2012 she completed the Master of Music in Vocal/Choral Pedagogy at the University of Kansas in Lawrence. She met rigorous requirements for membership to the International Voice Care Network at St. John’s University in 2010. Presently, Ms. Sale is pursuing her PhD in Vocal Pedagogy and Research through the Music Education/Music Therapy Department at the University of Kansas. Her research focus is the developing voice of the female adolescent singer.
Jamea has been a member and soloist with the William Baker Festival Singers and the Summer Singers of Kansas City since 2002, and served as Student Intern for the 2010-2011 and 2011-2012 concert seasons. She was appointed Choral Assistant in Kansas City in August 2012, Education Director for the Institute for Healthy Singing in 2016, Executive Associate Music Director for the Choral Foundation in 2017, and Director of the Institute for Healthy Singing in 2018.
With a certification in Preschool Musikgarten Education, Jamea led experiential music programs for parents and toddlers for five years. She served as Assistant Choral Director and Vocal Coach at St. James Academy High School in Lenexa, Kansas, for 3 years and has taught Pre-Kindergarten through 12th grade music in the Olathe School District. Presently she serves as the Vocal Coach and Assistant Director for AllegroKC.org. At her music studio, JameaSale.com, Dr. Sale focuses on healthy use of the voice for singers of all ages and provides training for singers recovering from hoarseness, tension, limited range, or other health problems that affect the singing voice.
A native Arkansan, Sean Sweeden began studying music with his parents at a young age, singing in church choirs, various ACDA honor choirs, and musical theatre. He studied percussion with Philip Parker, voice with Dr. Jon Clements, and saxophone with Kenneth Futterer at Arkansas Tech University, where he earned a Bachelor of Arts in Percussion and Vocal Performance. While there, Sean performed in a wide variety of ensembles including percussion ensemble, band, choir, jazz band, theatre orchestra, music theatre workshop, and opera workshop. In May 2013, he earned the Master of Music in Percussion Performance from the University of Arkansas, where he studied percussion with Chalon Ragsdale and composition with Dr. Robert Mueller.
Sean received the Doctorate of Musical Arts in Percussion Performance at the University of Missouri at Kansas City in May 2018. While there, he studied with principal percussionist of the Kansas City Symphony, Christopher McLaurin, as well as Dr. Nick Petrella. Sean is published with C-Alan Publications, won the Lee University Percussion Ensemble Composition Contest in 2014, and the VocalEssence Welcome Christmas Carol Contest in 2016. He plans to compose for a variety of ensembles, but is especially interested in creating works that combine percussion and chorus.
Sean continues to perform, teach, and study percussion, sing, and also further his compositional style.
For more information contact efdavis@festivalsingers.org